Abstract
As humans, our forms of communications are widely learned through our community, except for visuals. Visual information is the first and most important form of communication that spans universally throughout cultures and history. Images have an international language of their own, making them the most primal and interpretive source of information one can provide. In this paper, we introduce social polygraphy, a methodology used to facilitate social change processes. This methodology relies heavily on visuals, like drawing, mapping, and other diverse artistic expressions, to interact, initiate dialogue and participate in mutual learning with diverse populations. Engaging in social processes with populations that are different from our own, whether that be age, culture, background, or beliefs, can be extraordinarily challenging, especially if we are dealing with conflicting views. Through the process of social polygraphy, participants uncover the wealth of information and knowledge that resides in them, better understand the positions of others, and can find diverse ways of reaching a mutual understanding. We illustrate the steps of the methodology with a case from an Afro-Colombia community.
Original language | American English |
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State | Published - Jun 19 2019 |
Event | Fourteenth International Conference on the Arts in Society: Art as Communication: The Impact of Art as a Catalyst for Social Change - Polytechnic Institute of Lisbon, Lisbon, Portugal Duration: Jun 19 2019 → Jun 21 2019 Conference number: 14 https://artsinsociety.com/about/history/2019-conference |
Conference
Conference | Fourteenth International Conference on the Arts in Society |
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Country/Territory | Portugal |
City | Lisbon |
Period | 6/19/19 → 6/21/19 |
Internet address |
Keywords
- art
- change
- social change
Disciplines
- Arts and Humanities
- Social and Behavioral Sciences
- Peace and Conflict Studies